Each panoramic image is composed across three or more sheets of film that I expose sequentially as I rotate a view camera mounted on a leveled tripod. The spaces you see between frames in my images represent the boundaries between individual sheets of film.

Each sheet of film holds enough information to make large prints with exquisite detail. I provide extraordinary works for the corporate art market, healthcare, art in public places, and private residences with a particular specialty in works in excess of 20 feet long.

I made my first multi-panel panoramic image at Kejimkujik Lake in Nova Scotia the summer of 1986. Inspired by Jim Dow’s amazing triptychs of baseball parks, I had the idea to apply his method to landscape photography.

Five years later, I mounted an exhibition showing my first truly large multi-panel image, a triptych, with the goal of making it immersive. I wanted people to not just see what I had seen but to actually experience being there. Emboldened by success, I began making bigger images; five, seven, nine, up to eleven panels wide as I developed 360-degree vision.

I have made over 200 panoramic multi-panel photographs to date. Each one the emergent property of a rigorous process executed with skill and precision. Each one, progress on a hero’s journey.